Favorite Books By Black Authors

Happy Juneteenth, friends! I hope you’ll check out this post sharing the history of how today came to be an important and celebrated holiday.

Over the past few years, I’ve intentionally read books that are written by Black and Indigenous authors and poets, LGBTQIA+ storytellers, and women who have challenged social norms on behalf of change, equality, and hope for something better. So it seems like a great time to introduce you to some of my favorite Black authors and the books that have helped shape me!

I hope you find something in this list to add to your summer reading, and would love to hear what books you would add.

Book description:

In the tradition of Octavia Butler, radical self-help, society-help, and planet-help to shape the futures we want.

Inspired by Octavia Butler’s explorations of our human relationship to change, Emergent Strategy is radical self-help, society-help, and planet-help designed to shape the futures we want to live. Change is constant. The world is in a continual state of flux. It is a stream of ever-mutating, emergent patterns. Rather than steel ourselves against such change, this book invites us to feel, map, assess, and learn from the swirling patterns around us in order to better understand and influence them as they happen. This is a resolutely materialist “spirituality” based equally on science and science fiction, a visionary incantation to transform that which ultimately transforms us.

Book description:

NEW YORK TIMES BESTSELLER • A collection of prayer, poetry, and spiritual practice centering the Black interior world, from the author of This Here Flesh and creator of Black Liturgies

“A true spiritual balm for our troubled times.”—Michael Eric Dyson, author of What Truth Sounds Like

For years, Cole Arthur Riley was desperate for a spirituality she could trust. Amid ongoing national racial violence, the isolation of the pandemic, and a surge of anti-Black rhetoric in many Christian spaces, she began dreaming of a more human, more liberating expression of faith. She went on to create Black Liturgies, a digital project that connects spiritual practice with Black emotion, Black memory, and the Black body.

In this book, she brings together hundreds of new prayers, along with letters, poems, meditation questions, breath practices, scriptures, and the writings of Black literary ancestors to offer forty-three liturgies that can be practiced individually or as a community. Inviting readers to reflect on their shared experiences of wonder, rest, rage, and repair, and creating rituals for holidays like Lent and Juneteenth, Arthur Riley writes with a poet’s touch and a sensitivity that has made her one of the most important spiritual voices at work today.

For anyone healing from communities that were more violent than loving; for anyone who has escaped the trauma of white Christian nationalism, religious homophobia, or transphobia; for anyone asking what it means to be human in a world of both beauty and terror, Black Liturgies is a work of healing and empowerment, and a vision for what might be.

Book description:

Maya Angelou’s debut memoir is a modern American classic beloved worldwide. Her life story is told in the documentary film And Still I Rise, as seen on PBS’s American Masters.

Here is a book as joyous and painful, as mysterious and memorable, as childhood itself. I Know Why the Caged Bird Sings captures the longing of lonely children, the brute insult of bigotry, and the wonder of words that can make the world right. Maya Angelou’s debut memoir is a modern American classic beloved worldwide.

Sent by their mother to live with their devout, self-sufficient grandmother in a small Southern town, Maya and her brother, Bailey, endure the ache of abandonment and the prejudice of the local “powhitetrash.” At eight years old and back at her mother’s side in St. Louis, Maya is attacked by a man many times her age—and has to live with the consequences for a lifetime. Years later, in San Francisco, Maya learns that love for herself, the kindness of others, her own strong spirit, and the ideas of great authors (“I met and fell in love with William Shakespeare”) will allow her to be free instead of imprisoned.

Poetic and powerful, I Know Why the Caged Bird Sings will touch hearts and change minds for as long as people read.

“I Know Why the Caged Bird Sings liberates the reader into life simply because Maya Angelou confronts her own life with such a moving wonder, such a luminous dignity.”—James Baldwin

Book description:

From one of the most important writers of the twentieth century comes a stunning love story about a young Black woman whose life is torn apart when her lover is wrongly accused of a crime—”a moving, painful story, so vividly human and so obviously based on reality that it strikes us as timeless” (The New York Times Book Review).

“One of the best books Baldwin has ever written—perhaps the best of all.” —The Philadelphia Inquirer

Told through the eyes of Tish, a nineteen-year-old girl, in love with Fonny, a young sculptor who is the father of her child, Baldwin’s story mixes the sweet and the sad. Tish and Fonny have pledged to get married, but Fonny is falsely accused of a terrible crime and imprisoned. Their families set out to clear his name, and as they face an uncertain future, the young lovers experience a kaleidoscope of emotions—affection, despair, and hope. In a love story that evokes the blues, where passion and sadness are inevitably intertwined, Baldwin has created two characters so alive and profoundly realized that they are unforgettably ingrained in the American psyche.

Book description:

#1 NEW YORK TIMES BESTSELLER • NEW YORK TIMES READERS PICK: 100 BEST BOOKS OF THE 21st CENTURY • OPRAH’S BOOK CLUB PICK • “An instant American classic and almost certainly the keynote nonfiction book of the American century thus far.”—Dwight Garner, The New York Times

The Pulitzer Prize-winning author of The Warmth of Other Suns examines the unspoken caste system that has shaped America and shows how our lives today are still defined by a hierarchy of human divisions—now with a new Afterword by the author.

#1 NONFICTION BOOK OF THE YEAR: Time
ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, The New York Times, Los Angeles Times, Boston Globe, O: The Oprah Magazine, NPR, Bloomberg, The Christian Science Monitor, New York Post, The New York Public Library, Fortune, Smithsonian Magazine, Marie Claire, Slate, Library Journal, Kirkus Reviews

Winner of the Los Angeles Times Book Prize • National Book Critics Circle Award Finalist • Winner of the Carl Sandburg Literary Award • Dayton Literary Prize Finalist • PEN/John Kenneth Galbraith Award for Nonfiction Finalist • PEN/Jean Stein Book Award Finalist • Kirkus Prize Finalist

“As we go about our daily lives, caste is the wordless usher in a darkened theater, flashlight cast down in the aisles, guiding us to our assigned seats for a performance. The hierarchy of caste is not about feelings or morality. It is about power—which groups have it and which do not.”

Beyond race, class, or other factors, there is a powerful caste system that influences people’s lives and behavior and the nation’s fate. Linking the caste systems of America, India, and Nazi Germany, Isabel Wilkerson explores eight pillars that underlie caste systems across civilizations, including divine will, bloodlines, stigma, and more. Using riveting stories about people—including Martin Luther King, Jr., baseball’s Satchel Paige, a single father and his toddler son, Wilkerson herself, and many others—she shows the ways that the insidious undertow of caste is experienced every day. Finally, she points forward to ways America can move beyond the artificial and destructive separations of human divisions, toward hope in our common humanity.

Book Description:

The New York Times and USA Today bestseller! This eye-opening book challenges you to do the essential work of unpacking your biases, and helps white people take action and dismantle the privilege within themselves so that you can stop (often unconsciously) inflicting damage on people of color, and in turn, help other white people do better, too.

“Layla Saad is one of the most important and valuable teachers we have right now on the subject of white supremacy and racial injustice.”–New York Times bestselling author Elizabeth Gilbert

Based on the viral Instagram challenge that captivated participants worldwide, Me and White Supremacy takes readers on a 28-day journey, complete with journal prompts, to do the necessary and vital work that can ultimately lead to improving race relations.

Updated and expanded from the original workbook (downloaded by nearly 100,000 people), this critical text helps you take the work deeper by adding more historical and cultural contexts, sharing moving stories and anecdotes, and including expanded definitions, examples, and further resources, giving you the language to understand racism, and to dismantle your own biases, whether you are using the book on your own, with a book club, or looking to start family activism in your own home.

This book will walk you step-by-step through the work of examining:

• Examining your own white privilege
• What allyship really means
• Anti-blackness, racial stereotypes, and cultural appropriation
• Changing the way that you view and respond to race
• How to continue the work to create social change

Awareness leads to action, and action leads to change. For readers of White Fragility, White Rage, So You Want To Talk About Race, The New Jim Crow, How to Be an Anti-Racistand more who are ready to closely examine their own beliefs and biases and do the work it will take to create social change.

“Layla Saad moves her readers from their heads into their hearts, and ultimately, into their practice. We won’t end white supremacy through an intellectual understanding alone; we must put that understanding into action.”–Robin DiAngelo, author of New York Timesbestseller White Fragility

Book Description:

“WE WANT OUR BODIES BACK URGES BLACK WOMEN TO DEMAND BETTER FROM MEN.” -ESSENCE

“MASTER POET JESSICA CARE MOORE GIFTS US THIS LATEST COLLECTION OF SHARP, SMART AND DEFIANT PIECES.” -MS. MAGAZINE

BOOKS BY BLACK WOMEN WE CAN’T WAIT TO READ IN 2020 -REFINERY29

A dazzling full-length collection of verse from one of the leading poets of our time.

Over the past two decades, jessica Care moore has become a cultural force as a poet, performer, publisher, activist, and critic. Reflecting her transcendent electric voice, this searing poetry collection is filled with moving, original stanzas that speak to both Black women’s creative and intellectual power, and express the pain, sadness, and anger of those who suffer constant scrutiny because of their gender and race. Fierce and passionate, Jessica Care moore argues that Black women spend their lives building a physical and emotional shelter to protect themselves from misogyny, criminalization, hatred, stereotypes, sexual assault, objectification, patriarchy, and death threats.

We Want Our Bodies Back is an exploration—and defiant stance against—these many attacks.

Book Description:

NEW YORK TIMES BESTSELLER • REESE’S BOOK CLUB PICK • From a leading voice on racial justice, an eye-opening account of growing up Black, Christian, and female that exposes how white America’s love affair with “diversity” so often falls short of its ideals.

“Austin Channing Brown introduces herself as a master memoirist. This book will break open hearts and minds.”—Glennon Doyle, #1 New York Times bestselling author of Untamed

Austin Channing Brown’s first encounter with a racialized America came at age seven, when she discovered her parents named her Austin to deceive future employers into thinking she was a white man. Growing up in majority-white schools and churches, Austin writes, “I had to learn what it means to love blackness,” a journey that led to a lifetime spent navigating America’s racial divide as a writer, speaker, and expert helping organizations practice genuine inclusion.

In a time when nearly every institution (schools, churches, universities, businesses) claims to value diversity in its mission statement, Austin writes in breathtaking detail about her journey to self-worth and the pitfalls that kill our attempts at racial justice. Her stories bear witness to the complexity of America’s social fabric—from Black Cleveland neighborhoods to private schools in the middle-class suburbs, from prison walls to the boardrooms at majority-white organizations.

For readers who have engaged with America’s legacy on race through the writing of Ta-Nehisi Coates and Michael Eric Dyson, I’m Still Here is an illuminating look at how white, middle-class, Evangelicalism has participated in an era of rising racial hostility, inviting the reader to confront apathy, recognize God’s ongoing work in the world, and discover how blackness—if we let it—can save us all.

Book Description:

Self-described “black, lesbian, mother, warrior, poet” Audre Lorde is an unforgettable voice in twentieth-century literature, and one of the first to center the experiences of black, queer women. This essential reader showcases her indelible contributions to intersectional feminism, queer theory, and critical race studies in twelve landmark essays and more than sixty poems–selected and introduced by one of our most powerful contemporary voices on race and gender, Roxane Gay.

Among the essays included here are:

• “The Transformation of Silence into Language and Action”
• “The Master’s Tools Will Never Dismantle the Master’s House”
• “I Am Your Sister”
• Excerpts from the American Book Award-winning A Burst of Light

The poems are drawn from Lorde’s nine volumes, including The Black Unicorn and National Book Award finalist From a Land Where Other People Live. Among them are:

• “Martha”
• “A Litany for Survival”
• “Sister Outsider”
• “Making Love to Concrete”

Book Description:

A classic work of feminist scholarship, Ain’t I a Woman has become a must-read for all those interested in the nature of black womanhood. Examining the impact of sexism on black women during slavery, the devaluation of black womanhood, black male sexism, racism among feminists, and the black woman’s involvement with feminism, Hooks attempts to move us beyond racist and sexist assumptions. The result is nothing short of groundbreaking, giving this book a critical place on every feminist scholar’s bookshelf.

Endorsements:

“A brilliant, endlessly rich dystopian novel that pairs well with 1984 or The Handmaid’s Tale, and it’s also a fascinating exploration of how crises can fuel new religious and ideological movements.”–John Green, #1 New York Times bestselling author of Turtles All the Way Down, New York Times

“A dystopian classic.”–Kirkus Reviews

“A gripping tale of survival and a poignant account of growing up sane in a disintegrating world.”–New York Times Book Review

“A powerful story of hope and faith.”–Denver Post

“A prophetic odyssey.”–Essence

“A real gut-wrencher . . . What makes Butler’s fiction compelling is that it is as crisply detailed as journalism. . . Often the smallest details are the most revelatory.”–Washington Post

“Artfully conceived and elegantly written . . . Butler’s success in making Lauren’s subsequent odyssey feel real is only the most obvious measure of this fine novel’s worth.”–Cleveland Plain Dealer

“Butler felt to me like a lighthouse blinking from an island of understanding way out at sea. I had no idea how to get there, but I knew she had found something life-saving. She had found a form of resistance. Butler and other writers like Ursula Le Guin, Toni Morrison and Margaret Atwood…used the tenets of genre to reveal the injustices of the present and imagine our evolution.”–Brit Marling, New York Times

“Butler tells her story with unusual warmth, sensitivity, honesty, and grace; though science fiction readers will recognize this future Earth, Lauren Olamina and her vision make this novel stand out like a tree among saplings.”–Publishers Weekly (starred review)

“Butler [had a] practically psychic ability to predict the future.”–New York Magazine, “The Best Books for Budding Black Feminists, According to Experts”

“If we’re talking must-read authors like Maya Angelou, James Baldwin, and Toni Morrison, the one-and-only Octavia Butler needs be a part of the conversation. The groundbreaking sci-fi and speculative fiction author was a master of spinning imaginative tales that introduced you to both the possibilities — and dangers — of the human race, all while offering lessons on tribalism, race, gender, and sexuality.”–O, The Oprah Magazine

“In the ongoing contest over which dystopian classic is most applicable to our time, Octavia Butler’s ‘Parable’ books may be unmatched.”–New Yorker

“Octavia Butler’s Parable of the Sower is a stunner. It’s a terrifying vision of a dismal future brought on by the willful ignorance, racism and greed of human beings, and an eerily dangerous parallel to our present path. Ms. Butler gives us a satisfying protagonist in the hypersensitive teenager Lauren, whose courage and wits are an infinite source of inspiration.”–Flea, Wall Street Journal

“One of science fiction’s most important figures, an author who wrote cracking, crackling, accessible and fast-moving adventure stories shot through with trenchant and smart allegories about race, gender and power . . . Parable of the Sower has never been more relevant.”–Boing Boing

“One of the cornerstone works in the genre of Afrofuturism and the broader science fiction genre. The novel is set in a world a mere ten years in the future where water is as precious as oil, communities are ravaged by substance abuse, and a political leader will gain power under a ‘Make America Great’ slogan.”–Buzzfeed

“One of the most important and groundbreaking science-fiction authors.”–Entertainment Weekly

“One of Butler’s most visceral, accomplished works . . . this is the stuff of the best dystopian science fiction: a real-life warning made fictional. Even in 1993, Butler understood climate change could well be the spark that ignites the dry kindling of race, class, and religious strife into a conflagration that will consume our nation. If anything, those issues are even more pressing a quarter-century later . . . Butler’s vision of hard-won hope in challenging times is more essential now than ever before, and well worth seeking out in this new edition.”–B&NBlog

“Prescient . . . [Octavia Butler’s] work was notable for engaging with issues such as race, gender, sexuality, power and the environment . . . Butler’s stories always involve a deeper exploration of societal issues.”–LA Times

“Serves as a timely reminder for us to take action.”–Salon.com

“The Earthseed books are instructional in a way that other apocalypse fictions are not . . . they offer something beyond practical preparations: a blueprint for adjusting to uncertainty.”–Slate

“There isn’t a page in this vivid and frightening story that fails to grip the reader.”–San Jose Mercury News

“Unnervingly prescient and wise. A worthy read for those intent on building a better world as this pandemic continues to lay bare how untenable, how depravedly unequal, the American way of life is and has always been.”–Yaa Gyasi, New York Times

Endorsements:

“Dazzling—a loving, bold tale of imagination, bravery, and radical action in the face of injustice . . . Through an account of Cargle’s own complicated life journey, she provides a framework for our own acts of courage as brutality threatens to strip us of humanity.”—Elle

“I loved and admired this book as much as I have always loved and admired its author. Rachel Cargle is that rare sort of phoenix who rises from the ashes of her life not only reborn on the personal level but also fully ready to change the world. A Renaissance of Our Own is an elegant, thoughtful, vulnerable, and inspiring memoir. May this book land in a million hands, all over the world.”—Elizabeth Gilbert, #1 New York Times bestselling author of Big Magic

“Magical. Shape-shifting. Cargle recounts how she spun silk out of the threadbare yarns of patriarchy and white supremacy while reminding readers that such alchemy is possible for them, too. Such wonder is inevitable if we give ourselves permission to reimagine our existence and re-create ourselves in our own divine image.”—Sonya Renee Taylor, New York Times bestselling author of The Body Is Not an Apology

“What a beautiful offering and gentle invitation Rachel Cargle has extended with A Renaissance of Our Own. I felt the pull to really slow down and sit with both her stories and my own. This book is not meant to be simply consumed but explored.”—Joy Harden Bradford, PhD, founder of the award-winning Therapy for Black Girls and author of Sisterhood Heals

“A profoundly moving and powerful story of how one woman transformed both herself and her community while giving us the tools to do the same . . . Rachel shows that the closer we get to our own true light, the brighter we may shine for the world. You will celebrate, you will mourn, but ultimately you will leave these pages changed for the better.”—Gabrielle Union, New York Times bestselling author of We’re Going to Need More Wine

“Rachel Cargle has given us the gift of an interactive memoir that allows readers to expand into our own renaissance while witnessing hers. She is visionary, revolutionary, unapologetic, and deeply self-loving, reclaiming herself from conditioning that tried to shrink her. In telling her story, Rachel Cargle makes more room for each of us.”—Adrienne Maree Brown, New York Times bestselling author of Pleasure Activism: The Politics of Feeling Good

“Cargle’s self-help memoir is highly recommended for DEI and LGTBQ+ collections and women of all ages who want to renew and rethink their purpose in life.”—Booklist (starred review)

“A vulnerable look at one activist’s long journey of deconstruction, healing, and reimagining of the toxic societal structure meant to oppress marginalized identities.”—Kirkus Reviews